A friend of mine, an artist, has, for years, closed off his every email to this writer with a painting which contains a book.
All of the paintings are by well-known artists.
I’ve collected ten of them here.
Tomorrow, I’ll add a comment to this post listing the names of the artists.
And I’ll send an autographed hard cover of any one of my books (your choice of title – mailed to you anywhere in the world) to the first person who manages to do it before I do – and gets it right.
Watch out for number six. It looks like...but it isn't. Click on the image for an enlargement - and a hint.
When the early Portuguese explorers first came ashore in what is now Brazil they called their new possession Ilha de Vera Cruz, Island of the True Cross. It wasn’t long, though, before they discovered it wasn’t an island. That’s when they changed the name to Terra de Santa Cruz, Land of the Holy Cross. And so it might have remained.
But then they stumbled across this tree.
They’re a rarity these days, but five hundred years ago the country was covered with trees just like this one. And before gold, before precious stones, before sugar cane and coffee, they were the source of Brazil’s wealth.
Early on, it was discovered that the wood, ground up very fine, could be used to produce dyes and paints of a unique color. That color was often described as closely resembling red-hot embers. Embers, in Portuguese, are brasas. The tree came to be called Pau Brasil, (very)roughly translated as “wood that produces the color of embers”.Today, English speaking people call it Brazil wood.
Literally millions of trees were harvested over the course of the next four hundred years. Their sawdust was used to color fabrics, but also as a pigment by the great artists of the sixteenth, seventeenth and eighteenth centuries, most of whom mixed their own paints. By the nineteenth century such paints were being commercially produced. By then, the painters of Italy had corrupted brasil into verzino, the name by which the color became known. It was available in several different shades, two of which are in the background of this painting by van Gogh.
These days, verzino has largely been replaced by cadmium and azo pigments, which can duplicate the same colors at lesser cost. But if a painting is over a hundred years old, and contains this shade of red, the likelihood is that it has a little bit of Brazil in it.
I know of no other country that got its name from a color. But Brazil did.
