The End

"and in the end, the love you take, is equal to the love you make"

42 years ago on this date, music history was made on a London rooftop. It was January 30th, 1969 when the most popular, influential, and arguably greatest band in the history of music on this planet set up their instruments and cameras to record their swan song. It is highly unlikely that anyone on that roof on that cold day realized what they were experiencing exactly, which would be the final 'live' performance by The Beatles.

For the legendary quartet that would be forever linked by their musical genius together, Paul McCartney, John Lennon, George Harrison and Ringo Starr, this was the culmination of a grueling month of work. Throughout January of 1969 the band had worked zealously on the studio recordings for "Let It Be", the album that would ultimately become their final release as a working band.

The concept for "Let It Be" was that it would be all new material which would be performed in front of a 'live' audience at the same time as it was being recorded, a process that had never been attempted previously in contemporary music. But turning this vision of Paul's into a reality proved far more difficult in practice than in theory.

The Beatles were trying to work their way through the stresses and strains that their celebrity, their personal lives and relationships, and simply a decade of working, living, and travelling together had created. These pressures would soon split the band forever, and trying to find a location to shoot this particular project highlighted their problems.

No one could agree on a suitable, unique location for the recording sessions. The Coliseum in Rome had actually been considered, as had the Tunisian desert. One consideration was to film the project entirely on a ship at sea. In the end, much of "Let It Be" was recorded in the studio. The tensions between McCartney and Lennon actually drove Harrison away for a week, and when he returned it was only after keyboardist and friend Billy Preston was allowed to join the sessions.

Finally, on the final Thursday of January in the first month of the penultimate year of the turbulent and tumultuous 1960's, the band and Preston all took to the rooftop of the Apple studios building at 3 Savile Row to record the final pieces to the album, which was being documented for a film project as well. When the decade had begun, the band was a group of clean-cut, clean-shaven, wide-eyed pop stars. On the rooftop this day at decade's end was a rock band complete with long and facial hair.

"Get Back" was the first song that they performed on that day, both a warmup version and then a full version which was eventually captured for the film and became a popular version of the song. As the band plays, people begin to gather on the streets below, and also begin to hang out the windows of adjoining buildings. "Is that really the Beatles?" as the crowd's whispered murmur slowly grows to a mild uproar.

The band moves on to McCartney's beautiful, haunting ballad that will become the album and film's namesake "Let It Be", and from there proceeds to Lennon's dramatic, emotional "Don't Let Me Down", and then on into a fine Lennon-McCartney duet with "I've Got A Feeling". One wonders if they had a feeling that this performance, their first public performance in 2 1/2 years, would be their last together?

"One After 909" and "Dig A Pony" are recorded for posterity before the police begin to bang on the roof's door, trying to bring the performance to an end. The large crowds now drawn into the streets below were causing complete chaos for the workday rush, and the powers-that-be wanted the plug pulled on the impromptu jam session that was creating the ruckus.

As the police are trying to end the session, the Beatles play on with final versions of "I've Got a Feeling", "Let It Be" and "Get Back", which would unknowingly go down in history as the final song ever performed 'live' by the entire band together in public. Lennon steps to the microphone, and in his final public moment at the front of his legendary band makes a humorous statement forever immortalized in the film: "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition."

With that, the end. The beginning of the end of a decade that many would say had ushered in the end of American innocence, if there ever was such a thing to begin with. The end of the band that had been, either directly or indirectly through their own musical evolution, at the front and center of most of the popular cultural revolution of that decade.

The experience of working on the album and film was so bad that McCartney quickly moved to get them back into a studio together, realizing that things were not going to hold together for them much longer as a group. During the first half of 1969 the band worked through sessions which resulted in the "Abbey Road" album. Released that summer, it became a #1 album, though critics were split on the music. But one thing that was clear to all was that while the musical magic might not be gone, the relationships had soured to the breaking point.

The "Let It Be" album would not be released for more than another year, with the final new Beatles track, George Harrison's "I, Me, Mine" recorded on January 3rd, 1970, without John Lennon participating. The full band was last together in the studio on August 20th, 1969, and Lennon announced that he had left the band a month later, an announcement that would not be made public for some time still. On December 31st, 1970, McCartney filed a lawsuit to formally dissolve the band, which would actually take place in 1975 thanks to lengthy legal battles.

It is said that all good things must come to an end. Like many relationships that were at one time phenomenal, positive experiences for all involved, this greatest of all musical collaborations had finally reached it's own end. Any hope for any type of real reunion would fully come to an end on December 8th, 1980, when Lennon would be cut down by an assassin's bullet.

Thankfully for all of us, that final day together in public, 42 years ago today, was captured on film. For fans wanting to experience the Beatles together as a band, it was simply the end.

Looking Back 25 Years to 'Live Aid'

One of the world's most important rock festivals all came about because a fading Irish rocker was sickened by a television report by the British Broadcasting Corp. on the drought conditions in Ethiopia.

Bob Geldof of the Boomtown Rats, a band best known for 1979's I Don't Like Mondays, watched the BBC report delivered by reporter Michael Buerk and cameraman Mohamed Amin on Oct. 23 and 24, 1984. Punctuated by frame after frame of dying children and the wails of misery, Buerk called the situation "the biblical famine of the 20th century."

Geldof snapped into action. A month later, the charity single Do They Know It's Christmas was out. And on July 13, 1985, scores of the world's most-popular musicians gathered in London's Wembley Stadium and Philadelphia's JFK Stadium for a 16-hour fundraising concert dubbed Live Aid.

Twenty-five years later, here are some of the enduring memories and forgotten moments of that day.

An early start

The concert began at noon London time, or 7 a.m. here on the East Coast. Princess Diana and Prince Charles, accompanied by Geldof, took their seats to a horn fanfare. The first band to play: Status Quo, which started its set with Rockin' All Over the World. Other concerts were held that day around the world, including shows in Australia, Germany, Japan and the Soviet Union.

Were you watching?

Television coverage was a challenge, as was handling the sound mixing for the bands. Feedback was a constant problem. The BBC supplied the feed from Wembley. ABC broadcast only the final three hours of the Philadelphia concert, while MTV provided a simultaneous feed of the U.S. show. While the BBC version was commercial-free, the U.S. broadcasts included ads and interviews. As a result, several performances weren't seen on TV and aren't included on the DVD version.

The big winners

Phil Collins made headlines for playing both venues; he flew to Philly on the Concorde after his set finished in London. U2's set had only two songs — Sunday Bloody Sunday and a 14-minute long version of Bad. But fans and critics raved, establishing the band as a must-see live act. British rockers Queen, likewise, energized the Wembley crowd with a medley of hits and used the momentum of Live Aid to mount a comeback tour afterward.

The big losers

Among those who declined to participate were Michael Jackson, Prince and Bruce Springsteen, who later said he "simply did not realize how big the whole thing was going to be." Bob Dylan did himself no favors by complaining on stage in Philadelphia that some of the proceeds should go to American farmers instead. His remark inspired the creation of the annual Farm Aid concerts.

Breakups and reunions

Duran Duran broke up after Live Aid; the band's original lineup wouldn't play again until 2003. The Who returned after "officially" disbanding in 1982. And a much-rumored Beatles reunion (with Julian Lennon subbing for dad John) never took place. Instead, Paul McCartney took the stage alone to sing Let It Be.

Take a bow

Each show ended with sing-a-long versions of the charity singles: Do They Know It's Christmas in London, and We Are the World in Philadelphia. In the aftermath of the concert, Geldof has had to defend himself against allegations that much of the estimated $100 million raised was used to pay for weapons for Africa's civil wars instead of grain. "It's possible that in one of the worst, longest-running conflicts on the continent, some money was mislaid," he told a reporter this year. Still, he continues to insist, without Live Aid, "far more than a million people would have died."

WRITTEN BY: Steve Spears with original article at St. Petersburg Times available by clicking on the title of this posting

Islamism Series: Our Grandchildren's Grandchildren

I recently had the pleasure of sitting in on a highly educational presentation by an American law enforcement professional that largely covered the topic of responding to a bombing or other terrorist attack in our city.

The individual presenting the class has been all over the world, particularly the hot spots in the Middle East, Eastern Europe, and South America, aiding in their responses to such incidents. Perhaps most importantly, he was also gaining an education and making vital contacts that would keep him abreast on the latest information from those far-flung locales regarding updated terrorist activities, attacks, and tactics.

One of the statements that he made that I found most compelling is something that I have believed for a long time. That no matter who is elected to become the next President of the United States, no matter whether we 'bring the troops home' or remain committed in Iraq and Afghanistan, and possibly expand the current conflict into Iran eventually, this is not a war that is going to end any time soon. His simple statement was this: "Your grandchildren's grandchildren will be fighting this war."

He had a very simple, straightforward reason for making this statement. The Islamists with whom we are at war have no intention of stopping until Islam is in control of the entire world. War has been declared on us over a decade ago. Our nation was directly attacked, and has had repeated attempted attacks on it. Our allies have been and are being attacked regularly.

Spain is the perfect example of how they intend to win. On March 11th, 2004, the Islamists bombed trains in Madrid, immediately resulting in 191 killed and over 1,800 wounded. They demanded that Spain pull out of Iraq, and told the Spanish people that they would pay for their governments involvement. Out of this fear, Spaniards went to the polls in elections held shortly after the bombings and voted out the democratic government, voting in a Socialist government that pulled Spain's troops. The Islamists had effected a coup d'etat, installed a sympathetic government to their cause, and cowed a member of the European Union. They had knocked a government with close ties to the U.S. out of power, and effectively ordered it replaced with one that is antagonistic towards America.

Frankly, thanks to the fear of the Spanish people, the Islamists won a great victory. The victory became complete when this summer the Spanish courts tossed out more convictions, including of the mastermind of the attacks, raising to 11 the number who have been acquitted, with a number of others receiving extremely lenient sentences. The Islamists have incited riots in the suburbs of Paris, and attacked London as well, and are well on their way to creating an almost riotous situation across all of Europe.

What will likely happen on the European continent over the next few years and decades could make the 9/11 attacks look paltry by comparison. They saw how we reacted to 9/11, firing overseas and lighting up their world, including overthrowing the Islamist Taliban in Afghanistan and the tyrannical regime of Sadaam Hussein in Iraq. They find the response of the Europeans much softer, and so for now will simply be happy with turning their attention to slowly overwhelming our allies, who have proven to be far more soft.

The hard fact seems to be that the American people, at least right now, don't have the stomach to win the war being fought. They understandably want peace, a return to a time when American soldiers weren't in harms way, and when everyone can just sit down and talk out our differences. The unfortunate reality is that the other side in this battle doesn't want that, and will fight to the death. Because we may be unwilling to make the significant sacrifices now that it will take to overcome this global threat, we are likely to pay even greater costs in the generations to come.

I have two grandchildren now. My grandson was just born on August 1st of this year. It is highly likely that he, or his children, or his grandchildren, my grandchildren's grandchildren, will be fighting a much bloodier and far broader war at some future time because today's generation was unwilling to go all the way to victory.

NOTE: This is the continuation of my regular feature'Islamism Series'. At the bottom of this entry, you can click on the label of that name to read the prior entries.