An Interview with Jacqueline Riding on Mid-Georgian Britain

Randall Stephens

Jacqueline Riding is a historian and consultant who is completing her PhD in 18th-century British art and culture. She served as the curator at the Theatre Museum, the Guards Museum, the Tate, the Palace of Westminster, and was founding Director of the Handel House Museum in London. Her Mid-Georgian Britain, “the latest addition to the growing Living Histories series, charts the growth of the empire and looks at the growing importance of London as a capital city where the rich and poor rubbed shoulders. Jacqueline Riding creates a vivid portrait of the daily reality of life for a middle-class family in this age of growing affluence.”* Ever wonder what life was like in an 18th-century city? How did people eat, work, and play? What did they think about the world around them? Riding's concise, immensely entertaining book gives a snapshot of an amazing, vanished world.

Randall Stephens: Your book, Mid-Georgian Britain is a readable, fascinating account of life in the 18th century. Did your own work as a curator and scholar of art and culture influence how you composed the book?

Jacqueline Riding: Thank you very much. The basic chapter structure and length were set out by the publishers, although I did change a few of the headings. For example I think “Charity and Citizenship” is a key theme of the period and I have done a lot of work on the Foundling Hospital (my PhD is on an artist, Joseph Highmore, who donated a history painting to the charity). So I changed the chapter heading accordingly. The tight word length meant I had to be disciplined and the text feels pithy and quite fast-paced, which I like. It was important to stop worrying that so much inevitably gets left out. Even so, some of the themes were out of my comfort zone (dental pelicans anyone?!). So I learned something new too. Word length permitting, I was keen to show contrasts and find unusual facts or opinions rather than trot out the usual Georgian suspects. Having said that I could not resist Dr. Johnson. I think my background in curatorship means I think of an historical period in 3D—a case in point was recreating Handel’s house in Mayfair. I believe it is important not to be confined by a particular academic discipline, to study an historical period in the round. One of the benefits of being an art historian is that you know your way around a picture library, so I was very eager to get really good quality images. Ultimately, if I gave an interesting snap shot of the period, which encourages people to look further and even visit some of the locations mentioned, then I've done my job.

Stephens: Could you say something about how the London of the early 21st century differs from the London of, say, the 1750s?

Riding: Well, if they thought it was big in the mid-eighteenth century, they should see it now . . .

Stephens: Throughout Mid-Georgian Britain you quote a host of contemporary authors. Do you have a favorite character/author from that period?

Riding: It would have to be William Hogarth. He’s quite simply a hero, a real London bruiser with a heart made of putty.

Stephens: You include sections in the book on “Love and Sex, Marriage and Family,” “Home and Neighbourhood,” “Work,” “Food and Drink,” and more. What did you find most interesting to research and write about?

Riding: As I say, most of the headings were provided by the publisher although “Love and Sex . . .” was one of my modifications—partly so I had the excuse to illustrate the syphilitic skull and condom. When you are asked to rattle through a thirty-year period covering as many bases as possible you start to realize how little you know or at least how relatively limited your expertise is. No one is an expert on “the eighteenth century”—it’s just not possible. Humbling but true.

Stephens: Are you working on any projects now that you can tell us about?

Riding: I am indeed. For anyone interested in mid-Georgian art and charity I have an article in Art History Journal titled “The mere relation of the suffering of others’: Joseph Highmore, History Painting and Charity.” I have an article coming out in April’s History Today on Charles Edward Stuart and I am also writing a narrative history on the Jacobite Rebellion of 1745 for Bloomsbury Publishing (eta 2013).

King George II & III, Colonial News, and a Royal Autopsy

Randall Stephens

On October 25, 1760 George III became King of Great Britain. News traveled slow, of course, and New Englanders didn't know about George II's (b. 1683) death or their new monarch for weeks.

Just how slow did people and information cross the Atlantic? In 1750 the school master and organist Gottlieb Mittelberger made the voyage from England to Philadelphia. He later wrote: "When the ships have for the last time weighed their anchors near the city of Kaupp [Cowes] in Old England, the real misery begins with the long voyage. For from there the ships, unless they have good wind, must often sail 8, 9, 10 to 12 weeks before they reach Philadelphia. But even with the best wind the voyage lasts 7 weeks."* Sailing technology had greatly improved in the 18th century. Still, slow transatlantic journeys and poor roads hindered the speed of information for decades. (See the map showing travel times circa. 1800.)

So, finally, in late December Bostonians read of the King's demise in the Boston Post: "Saturday arrived here Capt Partridge in about 6 weeks from London by whom we have the melancholly News of the Death of the most high, most mighty, and most excellent Monarch, GEORGE the Second, King of Great Britain . . . Defender of the Faith . . . . GEORGE the Third was proclaimed KING. . ." ("Partridge; Weeks; London; News; Death; Monarch; George," Boston Post-Boy, December 29, 1760, 2.)

The British American loyalty to King and Country sometimes gets lost in our popular view of colonials as patriots in the making. But as Brendan McConville writes in his The King's Three Faces: The Rise and Fall of Royal America, 1688-1776, "British North Americans championed their British king with emotional intensity in print, during public political rites, and in private conversation" (9).

Yet, before Americans pulled out the bunting and uncorked bottles to celebrate their new King, they had a bit of morbid curiosity to satisfy. How did George II die?

Fortunately, newspaper editors, keen to print what the people wanted, had the scoop on the Royal Autopsy. The Boston Post relayed the news from London: "In obedience to the order transmitted to us by the Right Hon. Vice-Chamberlain, We the under-signed have this day opened and examined the body of his Majesty . . ." They found "all parts contained in a natural and healthy state, except only the surface of each kidney there were some hydrides, or watery bladders, which however, we determined could not have been at this time of any material consequence." The regal heart, though, did not look so well. Among other abnormalities, they observed "a rupture in the right venticle." ("London, November 4," Boston Post-Boy, December 29, 1760, 2.) (For what passed as medicine in that day, see the amusing film The Madness of King George. The physicians in the movie are a hoot!)

Certainly, the 18th century is culturally distant from us today. This past is definitely a foreign country. Today, we travel at breakneck speeds and communicate across space and time with ease. Still, reading newspaper accounts like the above, makes the celebrity mongering of today and news as infotainment seem not entirely new.

Slavery in New England

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The Sunday Ideas section of the Boston Globe features an interesting essay on slavery in New England. Francie Latour lays bare some of the myths related to regionalism and slavery.

Francie Latour, "New England’s Hidden History," Boston Globe, September 26, 2010.

"When it comes to slavery, the story that New England has long told itself goes like this: Slavery happened in the South, and it ended thanks to the North. Maybe we had a little slavery, early on. But it wasn’t real slavery. We never had many slaves, and the ones we did have were practically family. . . .

As the nation prepares to mark the 150th anniversary of the American Civil War in 2011, with commemorations that reinforce the North/South divide, researchers are offering uncomfortable answers to that question, unearthing more and more of the hidden stories of New England slavery — its brutality, its staying power, and its silent presence in the very places that have become synonymous with freedom." >>>