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Showing posts with label Bob Geldof. Show all posts
Showing posts with label Bob Geldof. Show all posts

Tuesday, July 13, 2010

Looking Back 25 Years to 'Live Aid'

One of the world's most important rock festivals all came about because a fading Irish rocker was sickened by a television report by the British Broadcasting Corp. on the drought conditions in Ethiopia.

Bob Geldof of the Boomtown Rats, a band best known for 1979's I Don't Like Mondays, watched the BBC report delivered by reporter Michael Buerk and cameraman Mohamed Amin on Oct. 23 and 24, 1984. Punctuated by frame after frame of dying children and the wails of misery, Buerk called the situation "the biblical famine of the 20th century."

Geldof snapped into action. A month later, the charity single Do They Know It's Christmas was out. And on July 13, 1985, scores of the world's most-popular musicians gathered in London's Wembley Stadium and Philadelphia's JFK Stadium for a 16-hour fundraising concert dubbed Live Aid.

Twenty-five years later, here are some of the enduring memories and forgotten moments of that day.

An early start

The concert began at noon London time, or 7 a.m. here on the East Coast. Princess Diana and Prince Charles, accompanied by Geldof, took their seats to a horn fanfare. The first band to play: Status Quo, which started its set with Rockin' All Over the World. Other concerts were held that day around the world, including shows in Australia, Germany, Japan and the Soviet Union.

Were you watching?

Television coverage was a challenge, as was handling the sound mixing for the bands. Feedback was a constant problem. The BBC supplied the feed from Wembley. ABC broadcast only the final three hours of the Philadelphia concert, while MTV provided a simultaneous feed of the U.S. show. While the BBC version was commercial-free, the U.S. broadcasts included ads and interviews. As a result, several performances weren't seen on TV and aren't included on the DVD version.

The big winners

Phil Collins made headlines for playing both venues; he flew to Philly on the Concorde after his set finished in London. U2's set had only two songs — Sunday Bloody Sunday and a 14-minute long version of Bad. But fans and critics raved, establishing the band as a must-see live act. British rockers Queen, likewise, energized the Wembley crowd with a medley of hits and used the momentum of Live Aid to mount a comeback tour afterward.

The big losers

Among those who declined to participate were Michael Jackson, Prince and Bruce Springsteen, who later said he "simply did not realize how big the whole thing was going to be." Bob Dylan did himself no favors by complaining on stage in Philadelphia that some of the proceeds should go to American farmers instead. His remark inspired the creation of the annual Farm Aid concerts.

Breakups and reunions

Duran Duran broke up after Live Aid; the band's original lineup wouldn't play again until 2003. The Who returned after "officially" disbanding in 1982. And a much-rumored Beatles reunion (with Julian Lennon subbing for dad John) never took place. Instead, Paul McCartney took the stage alone to sing Let It Be.

Take a bow

Each show ended with sing-a-long versions of the charity singles: Do They Know It's Christmas in London, and We Are the World in Philadelphia. In the aftermath of the concert, Geldof has had to defend himself against allegations that much of the estimated $100 million raised was used to pay for weapons for Africa's civil wars instead of grain. "It's possible that in one of the worst, longest-running conflicts on the continent, some money was mislaid," he told a reporter this year. Still, he continues to insist, without Live Aid, "far more than a million people would have died."

WRITTEN BY: Steve Spears with original article at St. Petersburg Times available by clicking on the title of this posting

Thursday, November 13, 2008

Rock & Roll Heaven: Michael Hutchence

Sex, drugs, and rock-n-roll. It's the oldest cliche in the business. Rock stars are legendary for their booze consumption, drug abuse, and sexual escapades.

Some, including the legends already profiled in this "Rock and Roll Heaven" series - Janis Joplin, Jimi Hendrix, Kurt Cobain - have died from this excessive lifestyle.

In April of 1997, the popular Aussie rock band 'INXS' released their new album, and front man Michael Hutchence and the rest of the group commenced a tour to support the work. They wound down this leg of the tour in Australia in November and were preparing for a big 20th anniversary world tour for the band.

Hutchence was in a generally upbeat mood. The band was doing well and he had a new girlfriend, Paula Yates. Life was good for the 37-year old star as he went out to dinner with his father on Friday, November 21st. Later that night he drank and partied with a couple of friends back at his hotel, but the next morning he would miss a hastily arranged breakfast with a former girlfriend.

At noon on November 22nd, the maid went to his room and found Hutchence hanging from the door's spring lever by a belt wrapped around his neck. He was naked, and the room was reportedly littered with booze bottles and prescription drug containers. An investigation revealed there was no foul play, and there was no suicide note. Interviews with family and friends found it highly unlikely that he had committed suicide, though that was the officially recognized cause of death.

The scenario that developed as most likely? Hutchence had died during an act of autoerotic asphyxiation. In this practice, a form of masturbation, the participant chokes off their oxygen supply by strangulation with something like the belt used in Hutchence' case, or by suffocation with a bag over their head. The sexual sensation is said to be heightened with the loss of oxygen. There is danger of death if the participant loses control of the means of suffocation since they are normally alone when performing this act. There are estimated to be as many as 1,000 deaths per year by this means each year in the United States. Add in the partying, booze, and drugs, and Hutchence' death in this sexual manner fits right into the excessive depravity of the lifestyle.

Michael Hutchence was born in Sydney, Australia in 1960 and raised in Hong Kong, but the family returned to Sydney in the late-70's. There Hutchence made a new friend, Andrew Farriss, and joined with Farriss' brothers and a couple of other friends to form a band called 'The Farriss Brothers'. When the Farriss family moved to Perth in western Australia in 1979 the rest of the band followed, and the band changed its name to INXS, releasing their self-titled debut album in 1980. Hutchence was the front man, the songwriter, and the driving force of the band almost from its inception. His sensual lead singing style belied what some called an introverted personality.

Farriss, who co-wrote all the bands songs with him, called Hutchence a 'genius'. INXS popularity grew and spread during the 80's, and by the end of the decade they were a top worldwide sensation thanks to numerous hit songs and MTV videos. Hutchence was also a sensation, dating a string of beautiful models and actresses including supermodel Elle MacPherson, 'Berlin' lead singer Terri Nunn, 'Go-Go's' front girl Belinda Carlisle, and singer Kylie Minogue, about whom he wrote the band's hit song 'Suicide Blonde'.

Throught the early 90's the band seemed to lose some of its popularity, but its albums often still received critical acclaim. At some point in the mid-90's, Hutchence began having an affair with writer and singer Paula Yates, who was then married to Irish rock superstar Bob Geldof and the mother of his children. Yates and Geldof subsequently separated, and undertook an intense custody battle for their three children. In 1996, Yates gave birth to Michael's only child, Heavenly Hiraani Tiger Lilly Hutchence, who they called 'Tiger' or 'Tigerlily', and INXS released their 10th album.

As the calendar turned to 1997, in addition to another INXS album and tour, Hutchence continued to work on a solo project which he had been putting together over the previous two years. On November 19th, just three days before his death, he cut the final track titled "Possibilities", which would be the final recording of his life. The album was finally released posthumously in 1999.

But the tragic soap opera of Hutchence life didn't end with his death. There were numerous battles over his property and money, and ultimately even his daughter. Yates had been battling Michael's family for custody of Tigerlily when she died of an apparent heroin overdose in 2000. Ultimately it was decided that Tigerlily would be placed in Geldof's custody so that she could be raised with her three half-sisters. With Geldof now wanting to adopt the girl and change her name to 'Geldof', Hutchence' mother and sister are again fighting for custody. His brother has also gone to court in an effort to overturn the 'suicide' finding on the death certificate.

Whether Michael Hutchence death was a suicide is highly debatable. What is beyond argument is that booze, drugs, and sex were all involved in that death for this rock star. The shame of it is the little girl left behind without her parents, both of whom died in drug-related incidents.

NOTE: This is the continuation of the "Rock and Roll Heaven" series of articles, all items of which can be enjoyed by clicking on that 'label' below this article